Bass Culture: A Dub & Reggae Music Magazine by Dubmatix
Bass Culture: One Hour Mix Show
Bass Culture: Rocksteady Rewind Mix
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Bass Culture: Rocksteady Rewind Mix

A soulful one-hour journey through the golden age of Rocksteady.
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Rocksteady was born in Jamaica around 1966, during a time of musical and cultural transformation. It was the bridge between the fast-paced, brass-heavy ska era and the deeper, bass-driven sound of reggae that followed. Lasting only about two years (1966–1968), its short lifespan had a massive impact.


Bass Culture: Music, Production, Docs and more from Dubmatix is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.


How Rocksteady Came to Be

  • Slower Tempo: Musicians began slowing down ska to create a more laid-back, cooler rhythm. This gave singers more space to express more profound, more emotional lyrics.

  • Youth Influence: Jamaican youth, known as rude boys, played a significant role in the scene. Rocksteady reflected both their swagger and their struggles. (Listen and download my Rude Boy Mix)

  • Key Studios: Legendary studios like Studio One, Treasure Isle, and Federal Records were hotbeds for Rocksteady hits.

  • Studio Innovation: With a greater focus on basslinesharmonies, and vocal melodies, producers began stripping down arrangements and experimenting with rhythm sections.

Why It Gave Way to Reggae & Roots

  • Social Shifts: As Jamaica’s political climate became more turbulent in the late '60s, the music evolved to reflect the struggle. Lyrics shifted from love songs to messages of revolution, spirituality, and identity.

  • Rastafari Movement: With the rise of Rastafarianism, music began incorporating its themes and rhythms, pushing toward roots reggae.

  • Dub & Studio Experimentation: Producers like King Tubby and Lee Perry began using echo, reverb, and dropouts—setting the stage for dub and roots reggae.

PLAYLIST

  1. Hugh Malcolm – Good Time Rock (1969)

  2. Leon Dinero – Version (2017)

  3. Sid Bucknor, The Slickers – You Can't Win (1969)

  4. Audrey – You'll Lose a Good Thing (1970)

  5. Stranger Cole, Gladdy Anderson – Just Like A River (1968)

  6. Dave Barker, The Upsetters – Shocks of Mighty (1970)

  7. The Pioneers – Long Shot (1967)

  8. The Kingstonians – Lion's Den (1969)

  9. Alton Ellis – Can I Change My Mind (1970)

  10. The Jamaicans – Love Uprising (1968)

  11. Joya Landis, Tommy McCook, The Supersonics – Moonlight Lover (1968)

  12. Count Machuki & The Destroyers – Movements [The Joe Gibbs Way] (1967)

  13. Dennis Alcapone – Wake Up Jamaica (1972)

  14. Ken Parker, Tommy McCook, The Supersonics – I Can't Hide (1967)

  15. The Uniques – A Yuh (Hey You) (1968)

  16. The Termites – Love up Kiss Up (1967)

  17. The Versatiles – Push It In (1968)

  18. Phyllis Dillon, Hopeton Lewis – Boys and Girls Reggae - Take 3 (1970)

  19. The Ebony Sisters, The Rhythm Rulers – Let Me Tell You Boy (1970)

  20. Delroy Wilson – Put Yourself in My Place (1968)

  21. The Ethiopians – Hong Kong Flu (1969)

  22. Keith & Tex – Don't Look Back (1967)

  23. Ken Parker – True, True, True (1967)

  24. Clancy Eccles – Fattie Fattie (1969)


Bass Culture: Music, Production, Docs and more from Dubmatix is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.

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